Knack, 09/01/2002

Every expression is present, unnecessary sentiment doesn’t have a chance. An important recording on the international scene.(about Liszt (Eufoda)

De Standaard, 15/11/1997

In this original coupling Bach/Nancarrow, the British pianist Joanna McGregor was already ahead of him. But the precision and the flexibility that characterized his maintaining of Nancarrow’s pleasantly disturbing derailments in one imperturbable groove, was impressive and surpassed largely the…

De Standaard, 24/09/1993

The orchestra Beethovenacademie, the conductor Peter Eötvös and Jan Michiels have played in a wonderful way-with their interpretations they reached to the essence of each piece a.o. ‘quasi una fantasia’ op.27,1 of G.Kurtág (…). Jan Michiels went to the deepest…

De Morgen, 28/07/2000

You could also hear Bach in the most devilish concert of the festival Saintes & late in the evening, Jan Michiels plays for almost two hours short pieces of Bach, Bartók, Ligeti, Kurtág and Janácek. There is not one piece…

Le Tombeau de Debussy

“Le Tombeau de Debussy” [TrackList follows] – Jan Michaels, piano – Fuga Libera FUG590, 72:42 *****: The Dutch record label Fuga Libera puts together some of the most enterprising and interesting classical albums being produced these days. The current release…

Lost in Venice with Prometheus

LabelFuga Libera FUG 716 ProgrammaMuziek van Bach, Beethoven, Wagner, Lieszt, Nono, Holliger Klara’s oordeel            Jan Michiels behaalde in maart 2011 zijn doctoraat in de Kunsten met een origineel proefschrift getiteld: Teatro dell’ascolto. Het theater van het luisteren, waarmee hij…