De Standaard, 29/11/1997

You could think that splitting up the composition of Haydn ‘7 Letzte Worte’ by putting other music in between, could harm this masterwork. Nothing is less true (…) Michiels’ programm was clearly built with a vision that was convincing not only on paper but also musically (…) The frail miniatures of Kurtág moved us especially, still more than with the Keller Quartet some days before.

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