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While Monkman is known for his large history paintings interrogating Western art history – including The Met's monumental mistikôsiwak (Wooden Boat People) diptych – with these paintings the artist offers an intimate glimpse of Miss Chief as a legendary being immersed in the unspoiled beauty of Turtle Island
It showcases his body of work as a diary where personal and historical narratives intersect
with forms rendered to mimic the brevity of life
Emily Mae Smith NY070824 Please allow up to 12The subjects for Gazer, an anthropomorphized broom holding a mirror, first appeared in Emily Mae Smith's 2015 painting, The Mirror. While she frequently employs the imagery of the broom, she turned to the mirror again in 2020's Cassiopeia, and it is this painting that became the model for Gazer. Mirrors, portals, and windows are reoccurring themes in Smiths work and speak about subjects such as the gaze, voyeurism, objectification, power, and agency.
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