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Jacques Ranciere: The Intervals of Cinema Richard EvansVerso, 2019, softcover, 160 pages, 13 x 19. 5 cm Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancire looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literatures images and philosophy; and film rejects theatre, while also fulfilling
reflects the limits of their archive
Silver Press
Contributions by Benjamin Seror
the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York
the book displays the diverse aesthetics and concerns of the group as it embarked on The Real Estate Show
to finish a painting
Duras is never concerned only with her own work
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This book explores both positions
dream journals
Screen print in three varnished layers on satin paper
transgressive work