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Gay Guerrilla: Julius Eastman and His Music Nick MaussUniversity of Rochester Press, 2018, Softcover, 284 pages, 22 14 cm Composer performer Julius Eastman was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Eastman tested limits with his
and Hamburger Bahnhof
begin acts of solidarity and self-nourishment
lens-based challenge to patriarchal modes of film making
San Francisco (2019)
institutional
This volume presents contributions from a broad range of authors who address the social and political dimensions of art and art writing in the contemporary context
Jessica Lange
It also includes interviews and Rubin's script
life and afterlife
and Masculinity is hybrid in terms of genre
Pier Paolo Pasolini (1922 – 1975) comes across as one of the most productive and exhilarating talents in twentieth-century art
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