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much like NOW That's What I Call Music
A Song for Lost Blossoms
The relatively unfamiliar Fantaisie romantique
The group laid down these rhythm tracks at their base at the storied Channel One recording studio
Real Camara- In Parasceve - Good Friday Responsories (CD) Arvid Gast much like NOW That's WhatIn the latter half of the 18th century, the Portuguese court saw the emergence of distinctive instrumental practices within it's sacred repertoire. Among these innovations were works composed for Holy Week that featured concertante violas but conspicuously omitted violins. This unusual instrumentation became a hallmark not only of daily court music but also of Portuguese music as a whole. This tradition likely reflects the profound influence of
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