Sofia Gubaidulina- Mozart: Triple Concerto for Violin, Cello & Bayan; Rejoice! (CD) JORDAN RUDE S SOne of Gubaidulina's special merits is that at the end of the 1970s she discovered the sound characteristics and expressive possibilities of the bayan, a button accordion that had previously only been popular as a folk music instrument in Russia, and established it as an instrument of contemporary music through numerous inspired compositions. She was supported and accompanied in this endeavour by bayan performers such as Friedrich Lips in Moscow and
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